Carly Simon Coming Around Again 30th Anniversary

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"I know zip stays the aforementioned/But if you're willing to play the game, information technology'southward coming around again..."

With the release of 1987's Coming Around Again, Carly Simon proved she was non merely willing to play, but still most definitely in the game.  Later the diminishing commercial (though not artistic) returns of her Warner Bros. and Epic releases of before in the decade, Simon's debut anthology for Clive Davis' Arista Records was a return to form.  Information technology yielded four major hits, all in her intensely personal vocalism yet burnished with the smooth production polish of the era.  At present, Coming Effectually Over again has come effectually once more cheers to Cherry Red'due south Hot Shot Records label.  The 30th Anniversary Deluxe Edition chronicles Carly's resurgence at the crossroads of pop, Hollywood, and Broadway with the original album and a host of bonus tracks on CD 1, while the second disc presents Carly'south but live album to date: the 1988 Greatest Hits Live gear up, recorded in 1987 in Martha'due south Vineyard.

"Coming Around Again," the title track and spiritual anchor of the album, was showtime issued as a single in conjunction with its appearance in Mike Nichols' film Heartburn.  Information technology served every bit a warm reintroduction to Simon'due south compassionate voice after the trip the light fantastic-popular rhythms of her 1985 Ballsy release Spoiled Girl (also expanded by Hot Shot).  "So don't mind if I fall apart," she sang with feature candor in one of the song's most felicitous turns of phrase, "there's more room in a broken heart."  Past the time Coming Effectually Once again was released, the song had already achieved striking status.  Its streak of optimism and positivity ran through the album, assembled past Simon and a cadre of producers including Russ Kunkel, Bill Payne, and George Massenburg; Rob Mounsey; John Boylan; Frank Filipetti; pop superstar Bryan Adams; and Simon'due south old friends Paul Samwell-Smith and Richard Perry.  Despite the various pedigrees, the sound of Coming Effectually Once again was consistently sparkling.

"Give Me All Night," implored Simon on the LP's first proper single.  The empowering, romantic anthem, co-written past Carly and Gerard McMahon, took on anthemic proportions in Samwell-Smith's confident product.  Samwell-Smith also helmed and co-authored the low-key rumination on a human relationship, "Practise the Walls Come Down" (melding Carly'due south exquisite lyrical verse to his rhythm rails), and "Ii Hot Girls (On a Hot Summer Nighttime)," a reflective and eminently relatable story vocal.  (Michael Brecker turned upwards on saxophone for the latter, to upwards the already-sultry quotient.)

John Boylan and Russ Kunkel produced "The Stuff That Dreams are Made Of," the next single and third direct Acme 5 AC hit for Carly.  After "Give Me All Night," listeners were conspicuously ready for some other example of Simon in melodically soaring fashion.  On "The Stuff," she dispensed sage advice based on her real-life observations to a friend.  In one case once again translating the personal into the universal, "The Stuff" struck a resonant and commanding chord.

Carly teamed with her Spoiled Girl collaborator Andy Goldmark and her longtime lyricist pal Jacob Brackman to pen the earthy, deliciously brawny "All I Want is Y'all," which became the fourth consecutive hit unmarried on Coming Effectually Once again.  Richard Perry, who produced such Simon/Brackman classics equally "Oasis't Got Time for the Pain" and "Mental attitude Dancing," reunited with her for a feisty update of Joe Tex's 1965 R&B standard "Hold What Y'all've Got."

Indeed, American standards of every stripe accept e'er been a key part of the artist'due south DNA, from 1981's underrated Torch and 1990'due south My Romance to 1997's Film Noir and 2005'southward Moonlight Serenade.  Working with producer Rob Mounsey, she gave a faithful yet relaxed and mod reading of "As Fourth dimension Goes Past."  Stevie Wonder added luster with his instantly-recognizable harmonica.  It'due south not the only not-Simon-written track on Coming Around Again.  Much as he had with other singer-songwriters such as Melissa Manchester and Barry Manilow, Clive Davis encouraged Carly to record outside material.  One such song was Bryan Adams' "It Should Have Been Me," which the Canadian rocker also produced.  Ultimately, though, the midtempo runway took a dorsum seat to Carly'due south own hitmaking ability.  So did "You Have to Injure" past Frank Musker and Dominic Rex, whose "Every Woman in the World" was proffered by Davis to Air Supply.  The song sonically blended seamlessly with Simon's ain textile, thanks to Samwell-Smith and Filipetti'south crisp sheen in the studio, and Carly'south committed vocal, only its more impersonal lyrics couldn't help merely stake in comparison to the singer'southward own.  By endmost the album with the children's nursery rhyme "Itsy Bitsy Spider" as intertwined with "Coming Effectually Again" (and featuring the Taylor family unit kids on the rails including Carly's children Sally and Ben), world mother Simon staked a vivid claim for her powerful originality and creative spark.

Hot Shot has expanded Coming Around Once again with six bonus tracks.  Unusually, these tracks aren't all necessarily connected to the album; instead, they function every bit the soundtrack to the story compellingly told in Simon's own words (and those of her collaborators Frank Filipetti and John Boylan) via Christian John Wikane's illuminating liner notes.  The gently shimmering "Raining" was written by Simon in 1984, in the aftermath of her breakup with James Taylor, though it remained unreleased until her 1995 box set Clouds in My Java.  "The Wives are in Connecticut" is a compelling and quirky art vocal from Spoiled Girl; it beguiled Mike Nichols enough to lead to the Heartburn assignment.  "If It Wasn't Dearest" wasn't written by Carly, merely rather by Motown veteran Kathy Wakefield and Patrick Leonard for the comedy Nothing in Mutual.  Simon'south "Hollywood menses" reached its apex when she picked upward an University Award for the stirring "Let the River Run," and that's here, likewise.  The bonus tracks are rounded out past "Sleight of Paw," the pre-recorded theme to John Pielmeier'due south curt-lived 1987 Broadway play; and the 12-inch mix of "Requite Me All the Night," which manages to extend the song'south already euphoric sense of excitement and anticipation.

The second disc is a straight reissue of Greatest Hits Live, which preserved Simon's render to the concert stage in June, 1987 after a lengthy absence.   The eleven-track fix, culled from ii performances, features faithful renditions of her dear hits ("Nobody Does It Better," "You're So Vain," "Anticipation," "The Right Matter to Practice") alongside then-new tracks from Coming Around Once more, including the championship track and "Itsy Bitsy Spider," "Two Hot Girls (On a Hot Summertime Dark"), "Do the Walls Come Down," and "All I Want is You lot."  The operation feels intimate and relaxed on disc, with the creative person matching the audience's amore note for note.  Alas, the full concert- including 3 more than Coming Around Again tracks, "Requite Me All Dark," "The Stuff That Dreams are Made Of," and "You lot Have to Hurt" - remains unreleased in an audio format, though the full show has been issued on VHS and DVD.

Hot Shot's 30th Ceremony Edition, produced by the label's Wayne A. Dickson, is attractively packaged in a six-console digipak, and contains a full-color 24-folio booklet with Wikane'due south notes as well as photographs and picture show sleeve reproductions.  Both albums sound stellar as remastered by Nick Robbins.  Carly Simon hasn't issued a new studio album since 2009'south Never Been Gone, a collection of her archetype songs revisited and reworked in stripped-down way, though her 2015 memoir Boys in the Copse offered a revealing and poignant await at the events that have shaped and informed her work.  While her ardent fans wait for new songs from her enduringly original voice, Coming Around Again is a reminder of how she conquered the 1980s on her own terms.

Coming Around Again is due in stores in the U.Grand. this Friday, and information technology arrives in the U.Southward. ane calendar week later, on Nov 3!  You'll find pre-order links below!

Carly Simon, Coming Around Again: 30th Anniversary Deluxe Edition (Hot Shot Records HSRXD018 (U.K.), 2017) (Amazon U.Southward. / Amazon U.One thousand. / Amazon Canada)

Disc 1: Expanded original album (released as Arista AL-8443, 1987)

1. Coming Effectually Again
2. Give Me All Night
3. Every bit Fourth dimension Goes By
4. Exercise The Walls Come Downward
5. Information technology Should Have Been Me
6. The Stuff That Dreams Are Made Of
7. Two Hot Girls (On a Hot Summer Night)
8. You Accept to Injure
9. All I Desire Is You
10. Hold What You've Got
11. Itsy Bitsy Spider
12. Raining (from Clouds In My Coffee 1965-1995 - Arista 07822-18798-2, 1995)
13. The Wives Are In Connecticut (from Spoiled Girl - Epic Atomic number 26 39970, 1985)
14. If Information technology Wasn't Honey (from Zippo In Mutual: Original Soundtrack - Arista AL9-8438, 1986)
15. Permit The River Run (from Working Girl: Original Soundtrack Album - Arista AL-8593, 1989)
16. Sleight of Mitt (B-side to "Give Me All Night" - Arista AS1-9587, 1987)
17. Requite Me All Night (12" Extended Remix) (from U.Grand. 12" single - Arista RIST 8, 1987)

Disc ii: Carly In Concert - Coming Around Again (released as Greatest Hits Live - Arista AL 8526, 1988)

1. Nobody Does It Better
2. Yous're And then Vain
3. It Happens Everyday
4. Apprehension
5. The Right Thing to Exercise
6. Do The Walls Come up Down
7. You Belong to Me
8. Two Hot Girls (On a Hot Summertime Night)
9. All I Want is You
10. Coming Around Again/Itsy Bitsy Spider
11. Never Been Gone

Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly afterwards its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the swell songwriters, producers and artists who created the audio of American popular song, Second Disc Records, in conjunction with Existent Gone Music, has released newly-curated collections produced past Joe from iconic artists such as Johnny Mathis, Bobby Darin, Laura Nyro, Melissa Manchester, Chet Atkins, and many others. He has contributed liner notes to reissues from a diverse assortment of artists, among them Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, B.J. Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Twenty-four hour period, Jackie DeShannon, and Andy Williams, and has compiled releases for talents including Robert Goulet and Keith Allison of Paul Revere and the Raiders. Over the past 2 decades, Joe has likewise worked in a multifariousness of capacities on and off Broadway likewise as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Manufactory Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about picture and television on DVD and Blu-ray. Joe currently resides in the suburbs of New York City.

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Source: https://theseconddisc.com/2017/10/25/give-me-all-night-hot-shot-reissues-expands-carly-simons-coming-around-again/

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